Time-Traveled Meditation on (Multiracial) Identity and Belonging: Ren

By Ren Koa

 

Audio read by author

2160

Ren~

Your body exists in grounded wholeness; you rest in multiplicity, both in space and time. Turn towards the permeability and dynamism of the group boundaries you speak of. Where your categories of community are troubled, we stretch and shift, reimagining and queering racial-ethnic identity. The social landscape you speak of is not fully mapped.

These social constructs of identity are not as clearly defined and concrete as you believe them to be; they were never static. We create a world that nourishes the both/and: words that happen to be, in and of themselves, of connection. This expansive and embodied sense of belonging and community holds, with care, those of “multiple” experience.

There is something transformative, mystical, and beautiful about that which is regarded as indeterminate; it triggers expansion. Rather than your body being stretched between entities, your body fills cultural spaces in 2020 that are yet to be mapped. And, they will be(!) Recognize and cultivate trust in this unfolding process.

What does this cultural space feel like? Your body evades and obscures social dissections not due to brokenness. Your body is connected to and located in identity constructions that embrace multiplicity, duality, and manifold boundaries of the self. Your body knows its location and is simply now creating the language that would make its location recognizable to others.

There are other ways for you to commune with your self, to feel into these intimately known and yet unmapped spaces. 

We are with you in this space and we hear you. 

In Belonging,

Descendants

 

Audio read by author

2020

Dear Descendants,

I’m writing from a time when racial, ethnic, and cultural identities serve as blueprints for finding an immediate sense of community in this world: how to exist within a group “we.” These blueprints are drawn from largely monoracial understandings, a colonial lens of assumed mutual exclusivity and separateness. As someone whose ethnic identity stretches across groups in East Asia, Polynesia, and beyond, I find myself perpetually placed in borderlands. My existence is relegated to the liminal spaces where these discrete group identities meet. The multiplicity of my body troubles conceptual community boundaries. 

My being feels noisy, 
my identity: unintegrated,
an amalgam I am only allowed to understand through discrete parts. 

My physicality feels split between designated entities,
Not existing as a distinct entity in and of itself.

Seeing my(?) body and my(?) being unsettle + destabilize 
cultural categorizations, assignments, and structures 
             births a self-image of paradox and ambiguity.

My location spills into an undefined void in cultural space, neither here nor there; I am too similar to “the other” for each community’s comfort. I am received at once as “not enough” and also “too much.”

The paradox I carry 
disrupts, cannot-be-contained, mathematically troublesome
Can a sum somehow render its parts invalid?
Sum < parts
             Sum = none of its parts?
My mixed-ness seems to trouble, disrupt, disconcert
            Clear, knowable categories drawn by social consensus 
To some, perhaps my body is a reminder of rapid globalization
Or of historic, current,
Tragedy evoking real sensations of loss–past, present, impending

I experience rejection/alienation from the same communities my parents and grandparents were born into; I name this simply to note it as a confusing or strange disorientation, and not as a claim that this should not be the case. While racial, ethnic, and cultural identity are such vital points of connection and found community for so many, I wonder how this sense of belonging transforms to hold those of us who exist “in between,” currently unclaimed and without a tangible cohort.

Yours,

Ren


Ren Koa (23 years old) is a multiracial lesbian who grew up in Hawai’i. She is a community organizer, researcher, and psychology student interested in the psychophysiology of trauma and resilience. Some of her favorite adventures include the summer she backpacked the Arctic Circle, the winter she studied theology in India, and the summer she served in the Hawai’i Youth Conservation Corps. She is also a member of the fifth Earth Leadership Cohort.

ਰੋਣਾ ਤੇ ਮੇਰਾ ਸੋਗ Poorvaj Dancing with Grief

by Arunima Singh Jamwal

Audio read by author

Beloved Descendant,
Mandala 2160
Surya Brahmana
Arhaant III

“flow like a forest of kelp
through cycles of time
with faith in your ancestor’s bones
roar more; unleash your full force!”

                                          ﹣ Arunima
                                                 I, of the Storm.

Change is a force / kills false impressions / dances tandav on graves. Invites us folly to surrender to the wild indeterminacy of her powers. When you’ve received a colonialized education, you’re used to finding comfort in knowing enough. If our world were to flood, they would have us think that to survive means to be prepared enough, to possess enough, have enough / control over these ecosystems of death. Let us take flight from this. Let us                                                       ask instead, how will change possess us?

* *
I. Journey:
to grieve with courage.

I was living by the waters of Pacific Island Aotearoa. Certainly secure that we were on solid ground. The security of material and economic privilege is so strange / you become a frog comfortable in increasingly warm water / Did you know that powerlessness is taught and learned? When womxn bodies sense a threat, we can freeze dead in our tracks: we are nervous systems. This is not a system failure: preventing the leaking of energy / this is how we persist.

How have we arrived? You and I are millennia old. 202 years ago, the white man took on the burden of civilizing our families, our elders, our babies. Now, our survival has come to depend upon systems of learning created for earning, instead of learning to learn. We’ve been told that if we cannot / stop “producing,” we will perish. So we have become the best race at designing new technologies, efficiently utilizing our minds to labor for capital and accumulation. But Beloved, our liberation, foreign to these foreigners, lives beyond the patri-colonial designs of modernity.

                                   Our Poorvaj have learned by // travelling // wailing.
When colonial certainties collapse, the ruins of this structure expose the rotting, necessary. Modern citizens put a lot of faith in the four walls of concrete buildings. Our territories will protect us from the danger of / that which is / stranger. This is a false and comforting impression.

* *

A few minutes after I say “they wouldn’t risk sending us home,” our leaders announce that we have four days to leave the island country. While Aotearoa is one of the safest places in the world right now (and to come, as we shall see) College authorities do not know how this crisis will unfold. Borders are rapidly closing now. We used to have “countries” back then and “going home” from abroad meant usually crossing borders. Everyone else in my group called “the United States” / the name colonists gave Turtle Island / home. Lesson I: Corona has little trouble flowing through bodies. Our group is atop a blue ice glacier when our program gets shut down.

The rush of our departure from Aoraki Glacier slows me down: this inertia will soon haunt me, too. A few hours.. or days.. pass as if a strange dream. A few of the Americans in our group have prepared to leave as soon as we get word. Of course, they are nothing if not efficient. Whereas, swimming in ambivalence and strong attachments, I am currently unaware of how fierce high tides are. After a 10 hour bus-ride to the nearest airport, 6 hours on the airport floor, and 2 hours in a propeller plane journeying to the capital, we arrive in some hostel. Sharing bunk beds / I am once again in inanimacy and strangely unpleasurable intimacy with these strange white cyborgs
                                     and their deadening / claims to occupation of space.

* *

Audio read by author

II. Entropy:
What lies beyond conquest

Where do we go from here? The Government of India has barred all passenger planes. Chaotic change is here and I have no safehouse to retreat to. Aotearoa is fast approaching national lockdown. I call the embassy and a disembodied voice indifferently says, “ask your university to arrange accommodation until further notice. We have no information from the government at this time.” They managed to say, “we couldn’t care enough to get you home.” without uttering one word. Keep working. Our International Scholars office buys me a 36-hour flight departing.. tomorrow. I look up the airline to confirm flight details. As of yesterday, the airline is bankrupt. This flight was to refuel in Australia; the country is not allowing any travellers to leave or transit through its gates. Maa and I decide to try an Air India ticket. I should’ve booked these quicker. There’s one flight going to Mumbai! And just as I try to click buy, she’s gone. Faster than I am.

**

Chaos is holding my hand now. Inviting me to cultivate a relationship with change and her ruthless grace. Aims for my belly button / rams her horns into gut / piercing pain / I’ll wait / I want to go home and home is family.. South Asia / A pool of my blood is collecting. Still, beside myself / managing this unfolding / I’ll prepare to wait it out until they allow flights to run? Yes.. what else could I..? / Oh god.. My insides are cracking open. It hurts to keep fighting for control.

**

We remain very ill equipped for the reality of change.

Focus. try to / see clearly. This crisis is as much about a crisis as it is about continuing to dwell in colonial imaginations of crises. It is time to exorcise this all-consuming exercise for control.

Beware. Be less certain that you will always have the walls of your home to protect and serve. Seas of people among us who had homes yesterday are turned into refugees today, held by strange lines / limits borne of men’s imaginaries / What shields from the indeterminacy of chaos? What you deem / hoarded / yours, may become a burden, you stand to lose when change comes.

Security will mean bodies in / us / in / voluntary cages. To control is to possess security only until wild times rage. When walls built for protection turn to asphyxiate us, revolts will come. 

“the natural order is disorder.”
Zaheer, Book Three: Change
Episode 10. Long Live the Queen. The Legend of Korra.

Change takes off. Her pauses do not allow time for the kind of painstakingly deliberated replies, which it is our colonial gift to provide, in the interest of stability / “in control” / pretenses of remaining unaffected, unchanged by her departure. How will we stay alive? The floodgates open.

* *

Audio read by author

III. Surrender:
care flow tend
ing

My entire being shakes. Finally. Let go. Relief arrives when you stop trying / struggling to float. I invite hands to hold me as grief flows. I am honest about the uncertainty of my situation with conspirators / a comforting outpouring of messages / con-spirare, to breathe together with. Multiple offers to stay in houses. A kindred settler spirit says, “do not worry, dear. If you choose to return to Turtle Island, you will be cared for.” We are all in the business of caring, tending to.

So what if this body becomes the first terrain to call my home? There is security in their, too, in the sense that dimming, darkness, forces of death are supreme / they render bare all uncertainty.

The Black officer at LAX’s Immigration, Border Patrol and Customs entrypoint has a beautiful smile. I tell him so. He blushes, and we are both pools. Soon after I arrive, I begin training. In the arts of undoing / preparing to receive death / the chaos that has only just begun. There is no planet-saving, no more civilizing conquests here. My queer water-body is an ancestral reverend / learning to harness the limitless imaginaries that our poorvaj’s prayers breathed into us. Learning melanin-richness, she holds / this infinite pluriverse / matters of love / dying matters / with grace and agility. As changes reap a late spring harvest of death, we dance wild with grief. We must. Care for those patriarchal, colonial, capital’s designs do not consider: all beings, more or less.

we survive, through intimacy with force: chaos, we thrive in. with care: we prepare for chaos.

Our bodies transform. We are sacred forms. our desires are ascetic; we exorcise domination
and relinquish his narratives of control. We are sacred seeds.
And we take root among the stars, Beloved.

* *


Audio version of biography

Arunima Singh Jamwal (Pronouns: All interchangeably, 21) In Sanskrit, Arunima means the first ray of sunlight and red glow of dawn. Arunima draws creative strength from their Sikh, Scythian, and Suryavanshi ancestral lineages and Queer kinships. As an animist and affective anthropologist, Arunima writes to unveil hidden presents and liberating possibilities. Arunima works to bring healing and balance to bodies, cultures, and communities suffering from colonial-capitalism, intergenerational traumas, and cycles of violence. A’s favorite spiral is the Māori koru that always brings us back to our point of origin and calm harmony.

Presently a settler-immigrant on the Cowlitz’s lands in Portland OR, Arunima loves listening to plants and podcasts. When not writing, trail-running, or coordinating community-based Climate Justice initiatives for Lewis & Clark College’s Sustainability Council, Arunima can be found immersed in a melanated feminist book, reading about healing justice circles, or curating The Gurh Life at Instagram.

דַּיֵּנוּ Dayenu

by Riv Ranney Shapiro

Context audio read by author

Poem audio read by author

an embroidered California poppy with the Hebrew word “Dayenu” stitched above

 Image: A round embroidery showing a yellow and orange California poppy with a green stem. The Hebrew word “דַּיֵּנוּ‎” arches overhead in black. Yellow dashed thread circles the piece inside the wooden embroidery hoop.

דַּיֵּנוּ

Dayenu
Origin: Hebrew
“It would have been enough for us”.
Context: A song sung on the Jewish holiday of Passover, recounting the miracle of liberation from the Narrow Place and celebrating each small miracle within.
Passover fell in the fourth week of shelter-in-place in the year 5780/2020.


Dear one,
I could tell you of my suffering, and keep telling you.
I could tell you of my wholeness, and keep telling you.
I want, I yearn, I long
and every day there’s something that gives me
reason to say: it’s enough, for today.
A new growth of poppies emerges after the rain.
The house finch sings on the telephone wire.
The neighbor plays the saxophone in the nearby park.
I list these moments of wholeness, of sufficiency,
recite them like a prayer.
Nearly five months have passed, and looking back
through lists of solace I’m faced
again with what I’ve lost, what I once held
close to my chest, cradling my “enough.”
And beneath that, a constancy,
a stream of contentment in
small moments,
shifting in form but insistent in
their message of belonging.
A friend holds my gaze from ten
feet away, and I am not alone.
The summer heat brings freckles
to my skin and stone fruit
drips its juice down my chin.
The toddler next door blows
bubbles from the front porch,
blows me a kiss.
If I can find today’s “dayenu” –
if I can be open to it
in spite of all that’s gone –
I have a raft on the river of my grief.

I think of you, and all you’ve lost.
All that you keep losing.
What remains?
Who remains?
Can that be enough,
for today?

With you,
Riv


 

Audio version of biography

OLYMPUS DIGITAL CAMERA

Riv Ranney Shapiro (28) (they/them/theirs) is a queer Ashkenazi multi-modal artist, educator and ordained Kohenet (feminist Jewish ritualist) living on Chochenyo Ohlone land. Their creative work is process-oriented and often participatory, reveling in the intersections of ancestors, interspecies relationship, justice, queerness and spirituality. Blending the roles of Educator, Priestess and Artist, Riv is dedicated to sharing the wisdom and the medicine of their Jewish ancestors through adaptive, accessible, and liberatory means. “Slow Down”, their feminist adaptation of the Avinu Malkeinu melody, has traveled across religious and continental boundaries to be sung in communities across the world. In 2020 Riv was selected as a Rising Song Fellow with the Hadar Institute and Joey Weisenberg, and they look forward to deepening their songwriting and leadership in that container. For music, film and Kohenet services, visit rivshapiro.com.

We Don’t Have That Anymore

by Percie Littlewood 

Audio read by author

Wow,
Look at that!
It’s the sky, it’s blue.
And look at the ocean,
We don’t have that anymore.
And at the mountains,
And at the trees,
We don’t have those either. We don’t have any of this anymore. 

Excuse me!
Ok so if you could just
Hang on, don’t buy that!
Stop, wait!
Don’t just throw that away!
Umm
Hey
Stop
No
wait
No
No
stop
No
STOP 

Please start making changes…
It doesn’t need to be drastic,
It doesn’t need to be large,
It just needs…to be everyone.
Even if this won’t change your life,
It will change mine.


 

Audio version of biography

My name is Percie Littlewood and I am 11 years old. I am going into 7th grade. I live in the Bay Area in California. I have lived near the beach my whole life and love the ocean. I love to travel with my family to places abroad. I enjoy scuba diving with my Dad in Monterey Bay and being out in nature. I was on the slam poetry team for two years in my school. I can always be found reading and love books.

The Beforers

by Sam Van Wetter

Audio read by author

Each spring since the unraveling the students at the school interview the Beforers and make a play about how it used to be. Wade directs it. He’s a young Beforer, relatively, and he once paid to get a degree in theater. He’s good at it. It’s a different play every year and he’s made it a tradition to reanimate some piece of Before junk on the stage. He’s made prop drones and a slot machine with real flashing lights. The kids write the play and they always give him a little part at the beginning, a soliloquy or an old-man dance number and he goes along willingly. He knows it’s funnier when he buys in, too.

The kids think the Before is hilarious.

The kids think the Before is hilarious. They giggle about overnight shipping and write scenes set in Zoom. They can’t get enough stories. Wade tires of telling them, though, and tells them to work with what they have. It’s amazing to him that they don’t yearn for the Before like he sometimes does. He knows this is an indication of their great fortune: that the excesses of his youth are not envied. At last they have all that they need.

   Every year while they’re researching a student will ask some variation of the same question: “What is most different between the Before and now?” Wade pretends to think, like he’s spontaneously crafting the answer even though he’s said it repeatedly and he thinks it most true. “We’re on time now,” he says. “We all show up when we say we will. Back then, you could be as late as you wanted. Everyone used excuses. Apologies didn’t mean anything. And sometimes,” Wade’s voice drops, “people wouldn’t show up at all. If you waited all day, you were the schmuck! Not them!” The kids act outraged or shocked or a little skeptical. They ask why, with alarm clocks and taxis and meteorology, anyone could possibly be late. Wade never has an explanation that satisfied them. The whole idea becomes funnier.
     

The duration of his lifetime, as far as he could hope, would be safe and simple as it is now.

    Wade had long ago learned to stop thinking of the Before when he didn’t have to. He could tell the stories, answer questions, and then shut down memories. Otherwise he got sad, sort of nostalgic but tempered by a pragmatic conviction that things would never revert and it was better this way. The duration of his lifetime, as far as he could hope, would be safe and simple as it is now.

   The other question the kids always asked was: “What parts are better about living now?” Those answers are innumerable and easily found.

    Tonight is the play. Almost the whole town walks a little way from town center down what was once the highway. Infants and old Beforers ride in handcarts. Everyone is on time. Initially, the students had wanted to perform fifty miles out in the desert after Wade made the mistake of telling them about site-specific art. “That would be real Beforing,” they’d said. “A hundred miles for just one night.” Wade convinced them that it was too big an ask and they might not get an audience and, besides, they could find a good piece of slickrock nearby. He’d suggested a crook of the creek at the base of the mesa. They begrudgingly agreed, muttering about artistic visions unrealized. But Wade had been eying this spot for a few years now and it turned out to be the perfect plinth for the play. They’d created worlds of laughter here, rehearsing and anticipating, culminating in this one particular twilight. The sun drags down as disbelief suspends. It could be no other place but here.

     The audience is streamside on the grass, spread and lounging on blankets and low-slung chairs. The stage is on the other side of the creek, where the variegated blonde sandstone begins to steepen. Wade and the crew had set fires strategically about. With their glow and the last burnished daylight the set is pearly. Kak and Rey sit among instruments stage right, a fire shining in their faces. Rey pulls at their accordion broadly. At center stage hulks the automobile, this play’s chosen zombified junk. Its rubber tires are flaky and flat and most of the windows gone. In the flickering hypnosis of the theater, however, it looks almost drivable. The pulley system is invisible behind bushes and the track only noticeable if you know where to look. Wade does, but he will be watching the audience when the car’s moment comes. He wants to see their reaction as the engine splutters and the crew tugs from offstage, the car chugging across slickrock. He’s seen it enough. Watching the audience is always the real show.

     Jeene has sold all of her popcorn. Dust and Chake’s barrel of beer is divvied up, dispersed among individual mugs. Everyone is seated. Some are already beaming with delight. Mourning doves in the nearby cottonwood fall to silence. The actors are set and ready to play.

Wade knows that someday the Before will not be so important. It will become ancestral, no longer the living memory of anyone still alive. In a hundred years it will be pure story.

Wade knows that someday the Before will not be so important. It will become ancestral, no longer the living memory of anyone still alive. In a hundred years it will be pure story. He feels the detached hope that they will keep being told. Tonight he’s recreated visions from the Before. In the future they will become, finally, myth. The proscenium he borrowed from the stream will be but the stream again. The small fires won’t be stage lights. The sooty sandstone underneath only that: red rock and ashes. Wade looks at the car. He cannot see it as less than its memory yet. Someday, it will be made up entirely of imagination and component parts.

     The kids in the wings might remember this story. That, Wade thinks, is the way fables begin. He promises, briefly, to keep improving this place so that some might evade the great turning that the Beforers endured. May the children live easily. The most optimistic future possibilities require heavy, continued work.

     Wade leans back into the darkness. Kak’s fiddle joins Rey’s song. There’s nothing new under the sun. The turn of the world is inevitable. And yet, somehow, Wade’s sure he created a bit of it, made it better. In that moment, he knows it’s all he’s ever wanted to do. Just beyond the light of the fires more beauty is promised. There’s more light and more song and more food. We can always be improving. He thinks the word Curtain! and steps on to the stage.


 

Audio version of biography

 

Sam Van Wetter

Sam (26) is an organizer, outdoorsmyn and organic farmer living amid sandstone and sagebrush in South Central Utah. He is buoyed by ideals of community resiliency, food sovereignty, and his cows Winston and Pumpkin. A tadpole in a pothole recently asked him whether or not the end-summer monsoons will return. They were both disappointed with his answer: “We will know when it comes.”

Somatic Stories: From One Generation To Another

by Cara Michelle Silverberg

Audio read by author

Cells are so smart. They remember. They carry the imprint of lived experience – mine, yours, ours.

So many people think that bodies are mechanical and unfeeling. It’s only nerve endings that feel pain or pleasure, they say. But you and I know that is not true. We know our bodies exist in a wholeness of self-experience that expresses and celebrates and armors and defends in a profoundly intelligent way. We know that wounding and resilience are deeply embodied experiences. We also know that we pass embodied knowledge on to future generations. “Cutting edge scientists” of your day called the biological dimension of intergenerational trauma transmission ‘epigenetics.’ I call it being human. I carry your stories in my bones, blood, and tissues – stories of wounding, as well as stories of great courage and strength.

I carry your stories in my bones, blood, and tissues – stories of wounding, as well as stories of great courage and strength.

You knew that the way your body was clutching to wounds – those inflicted during your own life and those passed on to you from your family and ancestors – were holding you back from showing up in the world the way you wanted to, from doing your part to tip the scales of justice in the Great Turning. You knew there was a relationship between your personal healing and collective transformation. You understood that the trauma responses patterned into your nervous system kept you in survival mode. You understood that the trauma responses patterned into collective systems (like organizations and communities you were part of) also kept those bodies in survival mode. You sought to shift those patterns into something more generative and celebratory.

You knew that bodies were hurting, and you worked so hard (maybe sometimes too hard) to heal that pain. The trauma of displacement, the trauma of sexual violence, the trauma of witnessing mass death, extinction, and suffering…you held that and so much more in your body. I remember how your back spasmed and depression swept over you when the intensity of intergenerational Jewish trauma was too intense for your body to contain. I remember how the rash on your right arch became inflamed when the toxicity of familial shame and silencing could not release itself through your skin. I remember how you got a bronchial infection when immigration policy threatened to tear a dear friendship apart.

In those times, the earth told you, “Lay down upon me. Give your pain back to me to turn into new life.”

The oceans told you, “Feel the waves wash over your heart. Soak your feet in saltwater with tea tree and calendula. Swim.”

The wind told you, “Allow new life to be breathed into you. Trust in the newness arriving.”

The fire told you, “That statuette wants to go through the fire three times. It will transform something in you. Tend your fires with humility.”

You followed those instructions. You held faith. You persisted with patience. You danced. You sang. You offered a flute song to the night birds. You rested when you needed to. Your journey required great endurance. You mourned for the dead and praised the living. You apprenticed to both pleasure and pain and emerged with ever fresh ways of perceiving the worlds around and within you. You went forth and shared what you could with others. The world’s soul healed a little bit through your work. I am grateful for your dedication. I hope you feel proud.

Thanks to your dedication to somatic transformation and intergenerational healing, I no longer have to carry those same wounds. The rage, grief, and pain of our grandmothers and great-grandmothers and so on do not plague me the way they plagued you. I danced freely right out of the womb. I was born into a world still feeling the pulsations of earthquake and drought that even seven generations cannot undo (earth time is much longer than human time). But even so, I was born into a community of people who remember the literal earth they came from and the teachings of their ancestors – teachings that continue to foster this Great Turning. Ancestral healing in your time was fringe, occult, “New Age.” Genealogy research was something retired old people did. Many people of your time, especially white people, were so disconnected from their cultures and places of origin that they scoffed at such explorations and heartfelt commitments to ancestral healing. Because you and people like you did that work despite the scoffers, many of us now are free from the clutch of hungry ghosts. We still mourn the dead and remember their stories and spirits, but we do so with an embodied spaciousness and liberated reverence that the collective body of your generation simply could not.

We still mourn the dead and remember their stories and spirits, but we do so with an embodied spaciousness and liberated reverence that the collective body of your generation simply could not.

There is more joy in the world now. More caring. More compassion. We embody these qualities, instead of the fear and greed that drove so much of the conquest and industry eras.

We can feel water moving in our bodies – not only the energetic quality of water, but literally the undulating and flowing molecules that make up over 70% of our bodies. We can feel the marrow in our bones, dense and thick, moving inside the hollow of our limbs. We can discern one lung from another and support our own breath through consciously toning our organs. Knowing our bodies is not a superpower. It is a birthright.

While many people’s eyes glaze with confusion at the “abstract” concept of embodiment, you and I smile with the secret that our bodies are the most tangible things we know. Humans – particularly those who lost their cultural knowledge through trauma, displacement and assimilation – are finally remembering how to listen to the wisdom of their bodies. They are remembering that our bodies are earth body, and that our stories are connected. This remembering has been integral in the Great Turning. May this wisdom never be lost again.

*****************************************************

Experiential Practices

 

Practice Notes:

  • As you do these exercises, if any sensations or feelings become too intense or feel unsafe, move away from those sensations and towards something that gives you a feeling of centeredness and resilience. This could be a memory (real or imagined) of someplace that brings you peace and calm, an imagining of something that brings you joy, or a person/being with whom you feel safe or protected.
  • A few other tricks for finding a sense of grounding are: gently stomp feet back and forth to feel the earth under you, touch left hand to right knee and right hand to left knee in a back and forth pattern (10-20 touches on each side), hum or sing a song for 30 seconds, or count 5 things each that you can see/hear/smell/touch around you.

 An Open Sentences Practice:

Begin by centering yourself in your own body. Feel some part of your body connected to the earth, directly or through the floor. Without forcing anything, take a few conscious breaths, allowing your exhale to be longer than your inhale. What sensations (e.g. warmth, coolness, tension, ease, pressure, numbness, tingling, twitching, pulsating, no sensations at all) do you notice in your body? What feelings arise with these sensations? Can you be present with these sensations and feelings, without judging them?

With a practice partner, take turns with the following open sentences. Set a timer or act as timers for each other.

  1. When I imagine (something that you feel gratitude for), I sense/observe in my body…
  2. When I imagine (something painful), I sense/observe in my body…
  3. When I imagine being alive in a life-sustaining society, I sense/observe in my body…
  4. What needs to open or shift in my being in order to embody this life-sustaining society is…

A Movement Practice:

Find something alive, for example a tree, a stone, a star in the night sky, etc. Take several conscious breaths, allowing your exhale to be longer than your inhale. Notice this living thing. How does it move, breathe, exist? What sensations (e.g. warmth, coolness, tension, ease, pressure, numbness, tingling, twitching, pulsating) does it stir in your body? What feelings arise with these sensations? Can you be present with these sensations and feelings?

As you feel ready, find the shape of this object with your own body. Allow any and all feelings and sensations to inform your shape. Close your eyes if helpful, or keep sight of this being and the space around you. Give yourself as completely as you can to this shape. Then find another object and repeat the shaping process a second time (and as many times as you’d like after that).

When you find completion in shape making, notice what you are feeling and sensing in your body. How did it feel to make those shapes? Were they familiar to you? Unfamiliar? Desirable? Uncomfortable? Are you aware now of any sensations or default shapes in your own body that you were not aware of before? What does this tell you about your embodied patterns?

Feel if there is anything from this experiment that you want to take with you and remember for later. If so, symbolically hold what you want to remember in your hands, give it an intention, and then touch somewhere on your body where you want to store that feeling, that knowing, that remembering.

*****************************************************

A few resources for exploring the nexus of embodiment, justice, and healing:

 

  • Curious about how racial identity and white supremacy shape our patterns of thought, behavior, and physical comportment? My Grandmother’s Hands by Resmaa Menakem offers both theory and practice in a practical and accessible format.
  • Ever found that sitting meditation is triggering, or that paying close attention to your body makes you anxious or afraid? Trauma-Sensitive Mindfulness by David Treleaven can really help to unpack why and empower you to explore mindfulness and embodiment without getting triggered.
  • Curious to learn about how the body-brain holds trauma and how it can be repatterned and released? Check out The Body Keeps The Score by Bessel Van der Kolk.
  • Want to learn to feel water in your cells and discern one lung from another? Check out Embodyoga with Patty Townsend: https://embodyogablog.com or her classes at https://www.yogacenteramherst.com. (She is one of the author’s teachers.)
  • Want to explore the concepts of ‘collective bodies’ and the ‘trauma of whiteness?” Check out Tada Hozumi on Cultural Somatics: featured on Eric Garza’s podcast Healing Culture, #47: Healing Bodies and Healing Cultures: https://www.iheart.com/podcast/269-healing-culture-pod-30055116/episode/47-healing-bodies-and-healing-cultures-30750891/

 


Audio version of biography

Cara Michelle Silverberg (35) is a somatic educator, camp director, writer, mover, and herbalist living in Nipmuc and Abenaki homelands (also called Western Massachusetts). She is enthusiastic about fostering community experiences that help people to explore and express themselves, their relationships with place, and their relationships with each other. Dedicated to trauma-informed experiential learning and wholistic leadership, Cara aims to co-create a more just, caring, courageous, and playful world. She designs and facilitates curricula for environmental/agricultural educational initiatives, land healing projects, and leadership development programs. Cara works in both Jewish and secular communities, with both youth and adults. Her favorite times of year are autumn, maple sugaring season, and the Jewish period of time called the Omer in early Spring. She was a member of the first Earth Leadership Cohort in 2014. You can check out some of her writing at www.onthefringesofplace.com.

There might be time to save your world, if you heed our warnings

by Gwyneth Jones

Audio read by author

My friends; I stand here before you as a woman born in the year 2140 in a small settlement on the island formerly known as Britain. I was chosen to travel to your time in order to warn you of the great suffering and disaster that lies ahead in the hope that you may be able to avert at least some of the worst effects of it.

Among the greed and chaos and violence, there were a handful of people who called themselves Shambhala warriors, Bodhisattvas, or eco-warriors.

Our oral traditions tell of your time; among the greed and chaos and violence, there were a handful of people who called themselves Shambhala warriors, Bodhisattvas, or eco-warriors.  We honour the sacrifices that they made in trying to defend life on earth, but their efforts were not enough. The majority of people remained ignorant, silent, and clung to their old Ideas.

I know that this is not what you want to hear, but around a hundred years before I was born, the island on which I live suffered a great series of disasters. The Great Pandemic had already wreaked havoc on the population, on their systems, and on general morale. Then the floods came, and it didn’t take people too long to realise that their leaders had no intention of coming to the rescue. They disappeared in their private helicopters, seeking higher ground while the majority of the population were left to fend for themselves.

My great-grandparents told of a time of great violence and bloodshed, as people fought over food, clean water, and dry land. In the absence of real leadership, the former titles and systems that had been in place for so long crumbled into obscurity and small bands and tribes started to form.

You want me to tell you that everything was OK; that somebody figured out an ingenious way to desalinate the seawater that flooded our shores. That some young genius came up with a way to turn the depleted and cracked soil into a source of nourishment and food for everyone, or that our collective will and love for the earth was enough to heal the pain in all of our hearts – the unresolved wound that cried to us “our grandparents forsook us; they didn’t care about us at all”.

When you grow up on stories of selfish, callous ancestors who valued their own pleasures above the lives of their descendants, it hardens the heart and causes its own type of apathy and callousness. My grandparents saw things, experienced things, even did things that would haunt the dreams of even the hardiest warrior – all for the sake of bringing food and clean water to their own tribes.

We are still heading into extinction.


But what about peace, you ask? Yes, we eventually came to peace. We eventually worked out what had gone wrong, and it is for this reason that I come to speak to you today. But do not think that the fact that we are at peace now means that you can relax, safe in the knowledge that everything works out OK in the end. We are still heading into extinction.

We, as humanity, are barely surviving in pockets around the globe – some of us in communication with each other, but we suspect there are far more of us who are unable to find a way to connect. Most of the waters are still poisoned, most species extinct, and there is still disease, famine, and weather so unpredictable that it is almost impossible for most people to rely on crops. We live more akin to the hunter-gatherers that roamed the earth thousands of years ago.

But yes, there is peace. Some of our elders tell us that this peace came about because of the Great Dream. It was a moment, they tell us, when the majority of the remaining humans received a simultaneous message from the Earth that filled their hearts with love and told them to lay down their weapons. But the more cynical of us, the younger of us who were not alive when this happened, suspect that the fighting stopped because everyone was too malnourished to pick up a weapon. We also have no idea what the majority of the globe is doing; we are able to communicate with parts of the world using relics from your time powered by the Sun, but it is nothing like the tsunami of information that you are familiar with in your time.

But what of the Great Turning, you ask? We do not remember it this way in our oral tradition. There is only the Great Collapse. But I have been given the magnificent task of guiding you in how you might steer your ship differently, so I will tell you where we went so wrong.

The main problem of the 21st century was not fossil fuels or toxic waste or overfishing, but willful ignorance.


The main problem of the 21st century was not fossil fuels or toxic waste or overfishing, but willful ignorance.  Your people turn off their hearts and minds to what they know is happening around the world; from what is happening to your oceans, to what is happening between your neighbours. From what is happening in the farms that collect beans for your coffee, to what is happening to the most vulnerable members of your own community.

We are told that people used to sit and beg for scraps of food on your streets, while others adorned in jewels and expensive fabrics would walk by, avoiding their eyes. It is not that you do not know what is happening, or that you do not understand the effects of climate change, poverty, discrimination, or mass species extinction. Your world is drowning in facts, figures, and statistics – the problem is that you cannot bear to look at those facts. You cannot bear to look at the beggar on your street in his eyes, because you fear the pain that it will strike inside your heart.

Is it true that your society seeks pleasure, bliss and happiness in a way that is almost manic and desperate? That is your willful ignorance. Happiness is not a destination; it is a fleeting state of mind that we must welcome, but trying to live in constant bliss is madness. Is it true that those of you who allow the pain and suffering into your hearts were labelled as defective, and sent to doctors or given medicines to try alleviating the visions? Those are your prophets and sages. Nurture them, listen to them, care for them and give them the space to train their gifts. These people are valued within my community, because they sense things that others can’t and are vital in planning our next steps.

Your world is upside down. You venerate your insane and lock away the only ones who truly see things as they are. Your leaders are tyrants; they hoard wealth and resources for themselves while living in complete disconnection with the land and with their own hearts. We cannot understand how you allowed them to rape the earth for the fleeting benefit of a few; did they do it in secret? Did they distract you? Did they keep you so poor that you had no time or means to fight back? Or was it just your willful ignorance?

You fail to consider the long-term impact of your actions.


But opening your hearts to pain and fear is not enough. You need to open your minds, too. The Creator gave you a brain capable of producing miracles, and yet you fail to see that without electricity, your nuclear facilities will fail and pour toxic waste into the oceans and waters. You fail to consider the long-term impact of your actions, or to ask yourselves what will happen to the thousands of satellites in your sky when the systems that tell them where to go finally fail. When we hear of the amazing technology that was available in your time, we can only ask ourselves – was this truly a lack of intelligence on your behalf, or was it willful ignorance?

My friends, I hope you will not turn away from my words with that same willful ignorance that destroyed the planet. If my words sound harsh, then that is precisely a part of the problem – your world has trained you to tune out things that cause you discomfort, and to seek only the warm embrace of praise and validation.

When you open your heart to the earth’s pain, you will receive far more than you expected.

When you open your heart to the earth’s pain, you will receive far more than you expected. You will receive the full blessings of living with an open heart; an existence far more colourful and deeper than you can imagine. To risk heartbreak is also to live fully, and it is only if you allow yourselves to live with open minds and hearts, rather than trying to avoid the discomfort, that you will have any hope of altering the course of history.


 

Audio version of biography

Gwyneth Jones (33) grew up in the magical lands of North Wales, although she currently lives in Prague, Czech Republic. She considers herself a hippie, science nerd, amateur gardener, eco-activist, Positive Psychology and Emotional Intelligence Coach, writer, Work That Reconnects facilitator, host of The Way We Connect podcast, and founder of the Reconnection Revolution group. Gwyneth hopes that we can transition away from the industrial growth society that is destroying our planet and towards a compassionate and sustainable world, but only if we reconnect deeply with ourselves, each other and Nature. (www.gwynethjones.coach

 

Acknowledging Indigenous Land and Peoples

by Cara Michelle Silverberg

Audio read by author

Why Land Acknowledgments?

In this web of community, we collectively name, honor and attempt to hear the voices of those who have been silenced – both human and more than human. The travesties of ecological destruction and climate chaos share roots with the travesties of genocide, refugee crises, food insecurity, lack of access to education, clean water and health care…and so much more. Underlying  all of this lies the cancer of conquest, white supremacy, and colonization. The ideas that one life is worth more than another, that land can be parceled, sold, and bulldozed, that Indigenous people’s lifeways are less “civilized” or less “productive” than “Western” society all contribute to the ecological loss that so many of us mourn. It is therefore vital that we acknowledge the Indigenous ancestral lands and peoples in the places where we practice the Work That Reconnects.

It is therefore vital that we acknowledge the Indigenous ancestral lands and peoples in the places where we practice the Work That Reconnects.

A Land Acknowledgment For This Moment in Time

Note: I started and stopped multiple times trying to compose a land acknowledgment from a future generation. I couldn’t do it.  I eventually realized my writer’s block came from my feeling that, as a settler, Indigenous futurities are not mine to imagine. It is my job to listen and learn, and to use my role as an educator to amplify Indigenous voices. This land acknowledgment is therefore my own voice, in the here and the now. May the futures that Indigenous people imagine come true as brilliantly as a rainbow after a rainstorm. 

I write this land acknowledgment from the hills east of the Kwinitekw, within the traditional territories of the Nipmuc and Sokoki Abenaki. I acknowledge the Massachusett and Wampanoag to the east, the Mohican and Pocumtuck to the West, the Mohegan and Pocumtuck to the south, and the Pennacook (Abenaki) to the north. I am grateful for the female leader Weetamoo’s strength and strategic acumen in staving off colonial settlers within Wampanoag lands prior to King Philip’s War. I recognize the lasting impact of the massacre at Peskeomskut in 1676, during which thousands of Indigenous women and children were slaughtered. I am grateful for David, Diane, Pam, Brent and others at the Nolumbeka Project for how they invite people to more accurately understand pre- and post-contact Indigenous life in this place, and for how they directly engage the community in repairing relationships, healing land, and celebrating the future.

How To Craft A Land Acknowledgment

Within whose ancestral homelands do you live, work, and play? Perhaps your own! If not and you are uncertain, www.native-land.ca is a helpful resource for finding out.

Dr. Debbie Reese (Nambé Pueblo) offers this guide for thoughtfully preparing a land acknowledgment: https://americanindiansinchildrensliterature.blogspot.com/2019/03/are-you-planning-to-do-land.html

Before diving further into this issue of Deep Times, and perhaps every morning when you wake up, I invite you to say aloud the names of the Indigenous peoples whose homelands you dwell within. I invite you to learn about the historical and contemporary leaders of those nations, and to learn to say their names correctly. I invite you to learn Indigenous place and river names, and to use them in colloquial conversation. I invite you to learn about what projects the Indigenous communities where you live are working on, and to ask if and how you can be helpful. (Settlers especially, please remember the if here.) I invite you to feel in your body what it means to be a guest in someone else’s home, and how you might be the best guest you can be. I invite you to give gratitude for the people who have stewarded land for thousands of years. They are still here.

In Gratitude,

Cara Michelle Silverberg


Audio version of biography

Cara and Maple

Cara Michelle Silverberg is a somatic educator, camp director, writer, mover, and herbalist living in Nipmuc and Abenaki homelands (also called Western Massachusetts). She is enthusiastic about fostering community experiences that help people to explore and express themselves, their relationships with place, and their relationships with each other. Dedicated to trauma-informed experiential learning and wholistic leadership, Cara aims to co-create a more just, caring, courageous, and playful world. She designs and facilitates curricula for environmental/agricultural educational initiatives, land healing projects, and leadership development programs. Cara works in both Jewish and secular communities, with both youth and adults. Her favorite times of year are autumn, maple sugaring season, and the Jewish period of time called the Omer in early Spring. She was a member of the first Earth Leadership Cohort in 2014. You can check out some of her writing atwww.onthefringesofplace.com.

Loving Death

by Robbie Barton

Audio read by Joey Albanese

“If I can learn to love death then I can begin to find refuge in change.” 
– Terry Tempest Williams

Ancestors, I do not envy you for your long-held panic
But rather love you for coming back to life in the face of death
For building community and marching for justice from six feet away
For rediscovering the essential guided by your own ancient biology

Ancestors, I cannot imagine what it felt like
To tense and harden at your melanated brothers and sisters
To numb to their death, their pain, their lack of breath
Yourselves taut in fear and strangers to your skin and pulse

Ancestors, I do not envy you for your brilliant ignorance
But rather love you for embracing the mystery
For giving up your fashioned crown to sway to wind’s howl and the chorus of trees
For rebuilding from the walking crawling soaring wisdom of 4 billion years

Ancestors, I cannot imagine what it felt like
To watch the permafrost melt and the oceans boil
To witness millions lost to violent storms and jagged wildfires and know
Yourselves as the careless spark for all this earthskin fire

Ancestors, I do not envy you for your unexpected sacrifice
But rather love you for your artful repurposing
For sifting through junk and sodden myths to find new creativity
For using the depth of loss as your deft canvass

Ancestors, I cannot imagine what it felt like
To watch islands swallowed, cities deserted, and rainforests blanched
To see the faces of the refugees in boats, and the water wars rage, and walls go up
Yourselves left helpless despite all your good intentions and hail mary mobilizations

Ancestors, I do not envy you for your tragic heroism
But rather love you for your active hope
For surrendering to your full throated failures, cries in a cavernous truth mandala
For opening your heart to break again and again, like violent waves crashing

Ancestors, I cannot imagine what it felt like
To see your neighbors evicted and friends stripped penniless
To watch the powerful few cudgel and cripple in the name of law
Yourselves betrayed by the unquenchable pyramid of greed you held up

Ancestors, I do not envy you for your depthless loss
But rather love you for your vulnerability
For learning to embrace decay, like maggots that gnaw carcass to bone
For burying yourselves deep in the humus so that we could sprout

Ancestors, I cannot imagine what it felt like
To be consumed by the dark and learn to love disintegration
To be mourners, survivors, visionaries, and doulas all at once
Yourselves the fierce, wholehearted tendrils bound together through the turning


 

 

Audio version of biography

Robbie Barton (age 32) is an emergent Work That Reconnects facilitator, environmental educator, yogi, poet-artist, teacher-student, edgewalker, and heart revolutionary based in Berkeley, CA. He humbly offers his gifts as an artist, teacher, storyteller, community advocate, and bridge builder to the greater task of birthing the healthy, beautiful, just, and regenerative world our hearts know is possible.

 

Requiem for Nature

Composed during the Blue Mountains fires in Australia, December 2019 *

by Rosalie Chappie

We read in the local Australian media that the air is toxic, and the pollution levels are dangerous to our health. We read about the microscopic dust and PM2.5 particles. But what are these particles? 

Smoke from bush fires in Australia, 2019.

They are the koalas caught in the burning tree canopies, too slow to escape. The few remaining native animal species that have been able to survive in our colonial-transformed environment. 

The smell of the smoke is the one hundred species of eucalyptus trees awarded World Heritage for their outstanding diversity. Along with the living laboratory of Blue Mountains ecosystems formed across millennia. Maybe too the Wollemi pines that avoided extinction for 100 million years.

Our smoke-induced headaches are the 20,000-year-old rock art destroyed in the flames. The Aboriginal sacred sites and songlines of the Dharug, Darkinjung, Gundungurra, Tharawal, Wanaruah and Wiradjuri people. 

The pink-red glow of the sunset is the burning peat of the upland swamps that formed over thousands of years, serving as sponges that hold precious water on top of the escarpments. It is the endangered wildlife that live in the swamps, the Blue Mountains water skink and the giant dragonfly.

The sick feeling in our stomachs is the burning of the few remaining pure-bred dingoes. It is the bower that the satin bowerbird built so he could dance for his females, surrounded by painstakingly curated blue objects.

A bushfire in Arnhem land from Ubir rock in eastern Kakadu, Australia, Aug. 8, 2008. Photo by Andrew Wallace.

 The sting in our eyes is the eastern spinebill, tiny birds too vulnerable to survive the heat. The echidnas engulfed in flames with nowhere to hide.

Our tears are the moisture from the wings of the newly hatched cicadas that just emerged from their seven-year hibernation. 

All of them burning, rising, floating, and settling in our lungs. Their lives have become part of ours more than ever before – we denied our connection and we can deny it no longer.


* Inspired by and adapted from Becca Rose Hall’s Fine particles of brilliant forests, burning, written during fires in British Columbia and published by The Dark Mountain Project, Issue 15, 2019.

Editor’s Note: It is so difficult to think of breathing in the particulates of another creature’s burned flesh. And yet, this is simply telling us something we could have known if we thought about it. I want a way to breathe in these breaths on behalf of the creatures who are entering us.  Maybe we can give them life through a promise to become a new kind of stewarding human–so these beings won’t have perished in vain.  (Martha O’Hehir, Deep Times editorial team member)

Author’s comment: The tragic impacts of the wildfires in Australia this summer highlight the urgent need for landscape management that embraces knowledge and traditions of the First Australians who have been here for up to 100,000 years and are the oldest living civilization on earth. The knowledge held by Indigenous communities needs to be integrated with that of western science so the best of both traditions can be brought to bear.

Links to helpful resources:  
Aboriginal Australian prayer (passed down by the late Aboriginal elder Burnum Burnum)
Befriending Your Despair, video with Joanna Macy


Rosalie Chappie has worked in wildlife and nature conservation for 30 years, including research, university teaching, and running a not-for-profit organisation called the Blue Mountains World Heritage Institute. Rosalie is committed to: nature-based learning and different ways of knowing, especially Indigenous knowledge; education and capacity building for nature conservation that moves beyond today’s dominant paradigms; building personal, social and ecosystem resilience in the face of rapid and dramatic change; and integrating a wide range of knowledge into environmental policy and management for sound and innovative policy and decisions.